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Unique Notes: 16 - 20
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Handel
HWV1A3N4 - Du stolzer Erdenkreis!
edward.maurath
2:22 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
Bassoon Continuo Bass 13 0 1 4 100%
Violoncello Continuo Bass 13 0 1 4 92%
Violone Continuo Bass 13 0 1 4 92%
Oboe Treble 15 0 1 4 82%
Tutti Unisoni Treble 15 0 1 4 82%
Bass
as Consalvo		 Bass 11 0 2 5 60%
 
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
Händel - Lascia Ch'io Pianga, for Baroque Flute (A=415)
Hyeon Kim
3:45 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
 
Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version
sven2011
1:48 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
 
HWV63A3N58 - "See, the conquering hero comes"
edward.maurath
3:33 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
Treble 13 0 2 8 67%
Alto 11 0 1 6 58%
Organ
as by
Handel		 14 0 1 6 58%
Soprano
II		 12 0 3 6 58%
French Horn
I		 Treble 9 0 1 6 50%
French Horn
II		 Treble 9 0 1 6 50%
Oboe Treble 13 16 2 6 35%
Bass Bass 9 0 1 6 33%
Cello Continuo Bass 9 0 1 6 33%
Cortrebass Continuo Bass 9 0 1 6 33%
Organ Continuo Treble 16 18 3 5 33%
Organo Continuo Bass 10 1 1 6 33%
Tenor 8 0 2 6 33%
Viola 9 0 1 4 33%
Violin
I		 Treble 9 0 1 5 33%
Violin
II		 Treble 10 0 2 8 33%
 
HWV61A1N8 - Oh memory, still bitter to my soul!
edward.maurath
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
VCL- Bass 9 0 2 4 100%
Vla 8 0 1 4 100%
Vln
1		 Treble 9 0 2 2 100%
Vln
2		 Treble 8 0 3 3 100%
VNE- Bass 9 0 2 4 100%
GOBRIAS Bass 13 0 4 4 92%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major
edward.maurath
6:14 Est. Play
Time
85 Measures
1,786Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 35 3 4 100%
Bass 21 68 4 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 35 3 4 100%
Bass 21 68 4 4 100%
Violoncello Continuo Bass 20 0 3 4 99%
Vln
1		 Treble 24 0 6 3 81%
Vln
2		 Treble 23 0 6 3 81%
Kontrebaß Bass 22 0 4 3 78%
Berengario 18 0 5 7 69%
Violas 16 0 4 3 46%
 
Handel - Sarabande Variations
Parasκevas
3:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 20 4 5 100%
Bass 17 1 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 20 4 5 100%
Bass 17 1 3 4 100%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV61A3N57 - To Power Immortal
edward.maurath
1:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
Strings Treble 23 70 8 6 100%
Violoncello Bass 14 0 2 5 100%
Violone Bass 12 0 2 5 100%
GOBRIAS Bass 14 0 4 6 93%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)
edward.maurath
1:54 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
Cello Bass 15 0 2 5 100%
Almirena 12 0 3 6 81%
Bass Bass 10 0 0 5 71%
Viola 10 0 1 5 71%
Violin
I		 Treble 10 0 1 5 71%
Violin
II		 Treble 9 0 1 5 71%
Violoncellos Bass 10 0 0 5 71%
 
HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major
edward.maurath
2:40 Est. Play
Time
134 Measures
1,102Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
Double
Bass Continuo		 Bass 16 0 2 4 94%
Violin
1		 Treble 20 0 2 5 94%
Violincello Continuo Bass 17 0 2 4 94%
Viola 17 0 2 5 93%
Violin
2		 Treble 18 0 3 5 93%
Bassoon Continuo Bass 17 0 2 4 89%
Bass
as Clodomiro		 Bass 16 0 3 5 65%
Oboe Treble 12 0 0 5 29%